PROGRAMME
Time Table
Programme
OPENING REMARKS
Hideaki Fujiki, Shota T. Ogawa, Alastair Phillips, Joanne Bernardi
I MEDIATIZATION AND AESTHETICS
Chair: Woojeong Joo
Thomas Lamarre (University of Chicago)
Compositing and Switching: An Intermedial History of Japanese Anime
Johan Nordström (Tsuru University)
Between Silent and Sound: The Liminal Space of the Japanese ‘Sound Version’
Rayna Denison (University of East Anglia)
Manga at the Movies: Adaptation and Intertextuality
Machiko Kusahara (Waseda University)
Utsushie: Japanese Magic Lantern Performance as Pre-cinematic Projection Practice
Eri Kajikawa (Nagoya University-University of Warwick)
The 1980s Japanese Idol: Celebrity, Media and Audio-visuality
II CULTURE AND POLITICS
Chair: Chikako Nagayama
Diane Wei Lewis (Washington University in St. Louis)
Home Movies of the Revolution: Proletarian Filmmaking and Counter-Mobilization in Interwar Japan
Masato Dogase (Nagoya University)
Japanese Student Movement Cinema: A Dialogic Approach
Alexander Zahlten (Harvard University)
Media Models of ‘Amateur’ Film and Manga
Rachael Hutchinson (University of Delaware)
Censorship as Education: Film Violence and Ideology
Joel Neville Anderson (Purchase Collage, State University of New York)
Pointing Through the Screen: Archiving, Surveillance and Atomization in the Wake of Japan’s 2011 Triple Disasters
III PRESENTATION AND REPRESENTAION
Chair: Alastair Phillips
Jennifer Coates (University of Sheffield)
The Yakuza Film: A Genre ‘Endorsed by the People’
Michael Crandol (Leiden University)
The Ghosts of Kaiki Eiga
Woojeong Joo (Nagoya University)
Separations and Connections: The Cinematic Homes of the Showa 30s
Kosuke Kinoshita (Gunma Prefectural Women’s University)
Multi-viewpoint Narrative: From Rashomon (1950) to Confessions (2010)
IV INSTITUTIONS AND PRACTICES
Chair: Joanne Bernardi
Manabu Ueda (Kobe Gakuin University)
Screening Spaces: A History of Japanese Film Exhibition
Takeshi Tanikawa (Waseda University)
Kaiju Films as Exportable Content: Reassessing the Function of the Japanese Film Export Promotion Association
Takafusa Hatori (Niigata University)
‘Fugitives’ from the Studio System: Ikebe Ryō, Sada Keiji and the Transition from Cinema to Television in the Early 1960s
Chen Cong (McGill University)
Historicizing ‘Sounds Right’: Seiyū, Audio-visual Conformity and the Media Environment in Japan
V JAPANESE CINEMA UNBOUND
Chair: Shota T. Ogawa
Daisuke Miyao (University of California, San Diego)
The Transpacific History of Japanese Cinematography
Ran Ma (Nagoya University)
Eigasai Inside Out: Japanese Cinema and Film Festival Programming
Naoki Yamamoto (University of California, Santa Barbara)
Soviet Montage Theory and Japanese Film Criticism
Yoshiharu Tezuka (Komazawa University)
A Constellation of Gazes: Europe and the Japanese Film Industry
Christopher M. Cabrera (Nagoya University)
The Ogasawara Islands as Contact Zone: Between Tides (2018) and Citizenship
VI MULTIPLE PERSPECTIVES
Chair: Ran Ma
Hideaki Fujiki (Nagoya University) and Alastair Phillips (University of Warwick)
On The Japanese Cinema Book
Joanne Bernardi (University of Rochester) and Shota T. Ogawa (Nagoya University)
On Routledge Handbook of Japanese Cinema
CLOSING REMARKS
Ma Ran, Chikako Nagayama, Woojeong Joo
RECEPTION
Organized by the Cinema Studies Program in the Graduate School of Humanities, Nagoya University, and Department of Film and Television Studies, University of Warwick
Supported by the Center for Transregional Culture and Society, the Graduate School of Humanities, Nagoya University
Sponsored by Nagoya University and MEXT